Non-Art Art Photography Exhibition

The Village Voice has an interesting article on an exhibition, at New York City's International Center of Photography, of the work of commercial photographer Bill Wood. A Fort Worth, TX-based photographer, he did general commercial work that eventually found its way into the hands of collector Diane Keaton, who actually had them basically packed away for 20 years until she really looked at them.

What I found of particular interest was the ambivalence that Keaton and the writer have toward the photos. They aren't "art" - he's not "another overlooked or local genius on the order of Mike Disfarmer or Weegee," as writer and curator Marvin Heiferman puts it. But as the article's author Martha Schwender notes, they are striking. Yes, there is the danger of a social equivalent of Sergei Eisenstein's theory of montage, in which a scene in a movie can take on different meanings based on the context. Taken out of the original commercial context, these photos might take on the sense of commentary on values and mores:

But there's something that makes me hesitate at viewing these photos through the filter of our current standards, either for fashion or political correctness. This is not out of charity because Wood (essentially a good ol' boy who was born and died in Fort Worth) never "rose" to the level of Frank's or Winograd's distanced critique. Nor is it out of nostalgia, a longing for a time when the U.S. was at peace, and businesses (like Wood's) were owned and operated by individuals rather than conglomerates, and development, to people living in the vast American West, meant prosperity rather than destruction. Instead, it's partly because Wood's images of Americans smiling in their uniforms, offering a quick product demonstration, receiving congratulations, or finally getting sick and lying in their coffins, were taken by a fellow striver.

I'm likely to be in the New York City area at some point in the near furture, and this show at the ICP seems like one worth catching. If Bill Wood fails to interest, there are two other exhibitions that look promising: Heavy Light: Recent Photography and Video from Japan and Arbus/Avedon/Model: Selections from the Bank of America LaSalle Collection.

Two Early Photography Exhibitions in Washington, D.C.

In the Wall Street Journal, Richard Woodward, a New York-based art critic, gives an overview of two exhibitions currently at the National Gallery: Impressed by Light: British Photographs From Paper Negatives, 1840-60 (through May 4), and In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet (through June 8). The former "examines photography in the context of Victorian science, industry and colonialism" though waxed paper negatives. The latter has examples of painting and photography side-by-side. Passes are not required for either. Both sound fascinating and make me wish that the nation's capital were a bit closer.

Big International Photography Show in New York

If you're near New York and want to catch some of the best in art photography this weekend, head to the Association of International Photography Art Dealer (>AIPAD) show, running from today through Sunday. As New York Art News notes:

More than 75 of the world’s leading fine art photography galleries will present a wide range of museum quality work by contemporary, modern and 19th century masters at the Park Avenue Armory at 67th Street and Park Avenue in New York City.

Admission is $25 a day or $35 for the run of the show, and you get a catalog (which itself would cost $25, if you weren't attending). Show hours are 11AM to 7PM today, 11 to 8PM Friday and Saturday, and 11 to 6PM Sunday.