Friday, August 10, 2007

What Not to See (in the Viewfinder)

When in the throes of shooting, you can get carried away and miss things that will make your picture look bad, Here's a quick list of what can be problems and ways to solve them:
  • Busy backgrounds can distract from your subject and draw someone's eye away. Try shifting your position relative to the subject, getting the subject to move or using selective focus to blur the background.

  • Scenes often have natural horizontal and vertical lines - like a tree or the horizon. If you work in haste, you can make them look tilted, causing the whole scene to seem odd. Line the horizontal or vertical lines up with the edges of your viewfinder to get closer to level. If you do make a mistake, fix this in your image editing program.

  • Tip a camera and look up or down or along something's side, and you'll find that formerly parallel lines will start to meet. You can just be careful or use something called a perspective correcting lens, which is generally expensive. However, your image editor should let you stretch things back more or less to normal.

  • Iif two things are close to the same shade, they may blend into each other. This can lead to some pretty funny things, like having a person in a black turtleneck in front of a black background and getting a picture of a floating head. Your choices are to increase the lighting on one of the objects, moving the subject in front of something else, getting the subject to change clothes, or use your digital darkroom to change the image contrast enough to separate the two.

  • If you're in a hurry to take someone's photo, you can inadvertently become a surgeon and lop off some part of the body or head. If you do it to a great enough degree, you could try to bluff your way out and call it artistic. Otherwise, pay attention when looking through the viewfinder.

  • You can also become a Dr. Frankenstein and add things that nature never intended. Juxtapositions between subjects, foreground, and background can make for some odd effects, like the telephone pole behind your cousin Rita that will look as though it's growing out of her head. You'll need to move yourself or the subject or be ready for some intensive computer work to actually retouch significant portions of the picture[md]possible, but a big pain in the shutter finger. If the pole actually is growing out of her head, there's probably nothing I can do for you. Or her.

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