Erik Sherman's WriterBiz

A spot about the business of writing as seen by a freelance writer. That includes marketing, sales, contracts, copyright, planning, research - in short, the business end of writing.

Name: Erik Sherman
Location: Massachusetts, United States

I'm an independent writer and photographer who covers business, food, technology, books, media, general features, and pretty much anything appealing that results in a signed check. My work has appeared in such places as the New York Times Magazine, Newsweek, Newsweek Japan, Fortune, Inc, Fortune Small Business, the Financial Times, Advertising Age, Saveur, US News & World Report, and Continental

Wednesday, April 22, 2009

Poor Mistreated Ancient Roman Authors

This is just a link to a piece that should bring a wry smile to your face if you've ever complained about the publishing industry. It's at least as old as ancient Rome:
Like Martial, most Roman writers knew that the profits of their writing ended up in the pockets of the booksellers, who often combined retail trade with a copying business — and so were, in effect, publishers and distributors too. At best, the author received only a lump sum from the seller for the rights to copy his work (though once the text was “out,” there was no way of stopping pirated copies). Horace, the tame poet of the emperor Augustus, made the obvious comparison: booksellers were the rich pimps of Roman publishing and authors, or even the books themselves, were the hard-working but humiliated prostitutes. He refers to his slim volume of poetry being “on the game, all tarted up with the cosmetics of Sosius & Co.,” his publishers. Not that Horace did so badly from his writing. In the absence of royalties he was, like most of the best-known authors in Rome, taken under the wing of a patron. In fact, Maecenas, Augustus’ unofficial minister of culture, set him up in a house.
Definitely worth a read.

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