The Fault, Dear Brutus: Writing and Personal Responsibility
Forgetting the particulars of political machinations at work in the play, the statement is an exquisite summation of the source of much human failure and pain: We seek a star, or excuse, on which to blame our choices. And, has become clearer to me this year, that is emphatically true in the field of freelance writing.
I've started magazine editing this year and have had just enough experience to empathize with editors and their often low opinion of writers. In just one special project for one regular client and the first issue of the new quarterly I'm editing, I have run across the following:
- a writer who kept promising to get things done, but who kept lying (even after I caught the person at it and brought it up) and then ducking phone calls/emails to avoid confrontation
- a writer who took the topic I assigned and focused it specifically on a business vertical that I never said was the focus of the piece
- a writer who after a week under an admittedly tough deadline (known from the get go) said, "I can't find any sources" and who had never heard of profnet or haro, and then ignored two of three sources that I found and then discounted an interview with a third because the subject wasn't good enough (I did a second interview and agreed with the comment about the quality of answers - and *still* found a way to use the information and one quote)
Now the really distressing parts. These writers are all highly experienced pros and they represent two-thirds of the writers I've dealt with so far. I don't think my standards are unreasonable. If a publication is paying $1.50 or more a word, I expect deep research, a plethora of sources, and care in the writing. Hell, if I took an assignment I'd expect to do that at any price.
I remember years ago writing for a trade magazine and having an editor say to me before I turned in a first assignment, "We need at least three sources for 1,200 words." I was startled. Of *course* they would need that many. I'm often aghast at online discussions in various venues, as writers complain about having their material heavily reworked, or chafe at being asked to put more work into an article. Ever wonder why editors don't get back to writers? Chances are that they are spending hours and hours working over copy that came in, trying to make it work. Sometimes even conducting additional interviews and undertaking research to prop up thin work. Writers who get angry about seeing an editor add a byline might wonder how often editors ethically could add their own names, but simply don't.
My experience has me double-checking my own behavior. I don't claim to be perfect and certainly am not one of those who can say "I've never turned an assignment in late." But when there are problems, I generally talk to editors up front. In some cases, I've gotten even more time because there was a lot more time than I had thought and I and the editor badly wanted to get a particular source or bit of information in that wouldn't otherwise be available. There are times I've written an entire draft and tossed it because I was unhappy with the result. There are times I can feel a probelm with one section and look to an editor for a clearer eye.
But, really, I'm surprised at the number of people who give up when things get even mildly difficult, or who complain, complain, complain about ALL the work they had to put into an article. Well, why shouldn't they put work into an article? If I'm writing, say, 1500 words, I fully expect to spend a good seven or eight hours interviewing sources, additional time researching and planning the article, and then a day or more of writing to get something reasonable.
I'm becoming convinced that way too many "pro" writers only get work because the average writer performance is so poor that it takes next to no effort to look good in comparison. The editors have to hire *someone*, after all. But when times are getting tight and more competitors hitting the streets after losing their jobs, the attitudes of many writers are going to leave them stranded.
Labels: craft, editors, relationships, writers



7 Comments:
Eric: I certainly hope a lot of writers will read this and take it to heart---but I do not have a strong expectation that will happen. What you describe is a shift in basic values in our society. How can people learn to take responsibility when elementary schools refuse to give grades because someone's feelings might be hurt if they are not getting an A? Or if they attended a high school with the problem of grade inflation? Or a high school that banished valedictorians because that might set one person above another. It seems to be the age of getting by, and writers are infected and reflect the general mores.
Vera Marie Badertscher
pen4hire.com
Well said, Erik. You know what my magazine clients praise about working with me? Minimal management, comprehensive research, and good writing. Simple things, when you think about it, but evidently it's not done enough! Great thoughts on personal responsibility, and a great gut check to us all.
When I wanted some guidelines about an approximate number of sources I "might" need based on article length. Finally found someone with great experience who said that one source per 500 words plus an extra worked well for them most of the time. That guideline has also worked well for me, although there have been times when I've interviewed double that many to get what was needed for the article. The writers you describe come across as either lazy, sloppy, or both.
I think one each 500 and then an extra would be light. That would mean three sources for a thousand word piece. My rule of thumb is more like one every 150 to 200 words, more or less. I've gone considerably higher for some stories.
Interesting. Is that regardless of the type or topic of story? I've received consistently positive feedback on my work from multiple editors, but there's always room for improvement. If I get great feedback presently, it only benefits my writing to dig even deeper. Thanks for giving me something to consider. Too bad I didn't know about your blog when I was first searching for input!
If you take out Q&As and roundups, then pretty much for a normally reported regular editorial story. I'll go from two to three sources for a 300 to 500 word short up to 10 to 12 for 2K words. Sometimes a topic is so esoteric that it might be fewer, but even at 2K words, five sources would be inadequate to me.
Granted, I write about business, but I've done the same in other areas. That allows me to pick and choose quotes, since I have adequate coverage. If there's a question from an editor, I almost always have the information in my notes. I also tend to have a deeper view into a topic, which makes the writing process and end result more interesting. In addition, I often turn up other ideas for stories and sometimes even have extra material that I can apply to a related story, reducing my total time researching.
I am surprised you are getting such unprofessionalism at $1.50 a word.
Here's one suggestion for the source issue. I've known several publications that include a minimum number of sources in their assignment letters.
I don't know that there is a good generalization for the number of sources you need, though. In my experience, it varies widely depending on the nature of the piece, the length, and the quality of the sources. If you are just counting sources, after all, a two-hour in-person interview is the same as a single question emailed to a subject.
And also, I've worked with one publication that asked me to use, and quote, only one source per 1,000-2,000 words but to quote the source extensively. The editor felt too many sources read as "choppy."
Bottom line for me: I don't think an editor, in assigning a piece, can be too direct or too clear on what they want, down to enumerating the number of sources.
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