Taking Low-Paying Work
In response to my post about tips for writers during fears of a recession, a reader responded with the following:
Your latest email is great. I think there’s a #10 issue to address: whether to take on work that pays less than your normal rate because some money coming in is better than none. This is an issue that we go around and around about online, I know, but it’s a very real one, especially in this economic climate. Yes, taking lower-paying work will take time away from my marketing for better gigs, but I need to pay the mortgage, too. I know I’ve seen you opposed to doing this, in general, but you might want to revisit the issue and examine it from both sides.Happy to oblige. What I oppose is taking low-paying work when that becomes a reflex action to any business difficulty. The problem is that you set yourself up in a few ways:
- You generally have to work more with low-paying work to make a living, which means that you end up cutting down your marketing time and reducing the chance of getting something that pays reasonably.
- Often writers point to an effective per-hour rate that seems reasonable. That may be true for the off-piece, but those who do significant amounts of such work don't generally seem to do that well overall. That's because you still have to spend time getting the work in and managing the flow. Now your marketing needs increase, because an increased set of assignments means you must bring them in. So you're cutting down on the time available for that lower-paying work and putting a ceiling on what you can earn.
- It should take about the same amount of time to do a competent job on a given length assignment; it's independent of the pay. To decrease the time and increase the hourly rate, you cut corners. Read the writers' boards and you'll see how many people complain about having the do the extra interviews, concept planning, rewrites, etc. That means, to some extent, you must do less than your best, and certainly less than would be required with a higher-paying and more demanding client. You end up turning the writing into factory work. Those who want the commodity writing excuse their lower pay by lowering their expectations. However, if you do this all the time, you end up with a lot of work samples that, to a more discerning client, will speak of such factory work. To put it bluntly, when you skimp, you make yourself appear like a hack to the clients you really want to attract, who then are less likely to use you and you do more of the low-end work. It's like the old concept of company-provided housing and a company-owned store; you never get to make enough to get out from under.
- Don't discount. You want to preserve the ability to charge more, because that makes a living easier to get. So don't drop your rate with regular clients in a hope to attract more work. If they are regular clients, then they know what you're capable of doing. If you start taking less, you will continue to take less, because you've said through your action that what you do is actually worth less.
- Limit the exposure. Treat lower-paying work as something literally to make your nut. Keep marketing fiercely to make it as unnecessary as possible. Continue focusing on getting better-paying work.
- Balance the value equation. As I teach in my various classes, business is a value equation. You provide value and expect value in return. I don't believe in cutting corners. If you get paid less, still treat the assignment as seriously as you would any. But try to balance the equation to get enough value back in one form or other. Low paying assignments will have to turn around cash quickly enough, be limited in the rights they get, or possibly sit on research you've already done. If you can't make it a naturally more acceptable assignment, then you should pass on it.
- Incorporate it into your business model. Low-paying work can be a distraction when you just react to it. So don't. Make the lower paying work part of your business model, even if only while economic times seem tough. Have a strategy for it, set boundaries for how you deal with such work, and stick to them. That way you reduce the possibility of losing a grip on your higher-paying "real" work, and increase the chance that the two work streams will harmoniously co-exist.
- Don't buy someone else's PR. Economic downturns are funny things. They don't affect everyone and everything evenly. Don't go into lower paying work from a panic. Instead, watch how things are going in your usual work. Are you sure that any problem isn't a result of your letting up on your usual marketing? (That can happen too easily to any of us.) Try doubling up on marketing first, unless you're in a cash crisis and the turnaround on such efforts will take longer than you have.
- Don't buy someone's negotiating tactic. Sad as it is from a view of humanity, there are people who will try to use a recession as an excuse to reduce what they pay, even though they don't have to. But it's not as though you can find a way to work more cheaply as manufacturers often do. Maybe you can to some degree, but be wary of any client who tries to strong arm you into what is unwise for your business. Another way of putting it is that there are poorly-paying clients, and then there are cheap clients. The latter are generally ones to avoid, because they're not providing value in other ways. They just want something for nothing.
- Don't panic. Douglas Adams had it right in the Hitcherhiker's Guide to the Galaxy. The biggest mistake you can make is to freak out. Take a deep breath and consider all your options in dealing with an economic crisis. Some of those might include borrowing money, negotiating with creditors to spread out payments, or reduce expenditures. The more creative you can be on money, the more space you can make for smarter business decisions.



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