Erik Sherman's WriterBiz

A spot about the business of writing as seen by a freelance writer. That includes marketing, sales, contracts, copyright, planning, research - in short, the business end of writing.

Name: Erik Sherman
Location: Massachusetts, United States

I'm an independent writer and photographer who covers business, food, technology, books, media, general features, and pretty much anything appealing that results in a signed check. My work has appeared in such places as the New York Times Magazine, Newsweek, Newsweek Japan, Fortune, Inc, Fortune Small Business, the Financial Times, Advertising Age, Saveur, US News & World Report, and Continental

Thursday, November 1, 2007

Book Platform Isn't Expertise

I was part of an online discussion about the Jessica Seinfeld cookbook and all the controversy about whether she or her publisher stole the concept from Missy Chase Lapine. (In case you're late to the controversy party, you can see something about this here and here on my food blog.)

One of the reactions many writers had was that it seemed unfair that the commedian's wife should get a book deal because she wasn't a nutrition or food expert. She had no platform in the topic. She was just married to someone famous. I'd like to take a moment and disabuse many of an erroneous concept. Platform has everything to do with the writer generating sales by the mere connection to a book and nothing to do with expertise, except as that expertise feeds into the sales. I repeat - platform is all about the sales. That's all the publishers care about. I think it's an ultimately short-sighted view of their businesses, as if what the customers wanted didn't matter. But if you're going to deal with the commercial publishing world, you have to understand this.

I see many writers starting blogs, trying to get specialized certifications of knowledge, write articles on a topic, and generally show that they know about a subject. But few actually get somewhere. The publishers don't care if you have a blog or web site, unless it has lots of readers. They don't care if you have Ivy League degrees up and down your arm unless you put yourself into positions where you can promote your book. By the way, part of this can be nothing more than perception of the publishers; they think you're doing things that indicate an audience, and so assume you have one.

Until writers begin to understand this dynamic, they won't build an audience, won't have a platform, and won't get meaningful book deals.

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1 Comments:

Blogger Jen A. Miller said...

Interesting post. I thought about this a lot when I packaged the proposal for my book. I wouldn't have called myself the absolute best expert on the topic, but I did have connections and my name on the mastheads at local magazines (thus giving me and edge in getting them to cover the book when it came out), and in the proposal, I pointed out that I'm media savvy; that I've had experience public speaking, and in front of the camera; and that I've worked in PR so would know how to go about promoting the book. I think those last few things had as much to do with nailing the contract as it did for my 'platform' and writing style. Though I'd like to think that my writing style had SOMETHING to do with it.

November 1, 2007 7:28 PM  

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