Erik Sherman's WriterBiz

A spot about the business of writing as seen by a freelance writer. That includes marketing, sales, contracts, copyright, planning, research - in short, the business end of writing.

Name: Erik Sherman
Location: Massachusetts, United States

I'm an independent writer and photographer who covers business, food, technology, books, media, general features, and pretty much anything appealing that results in a signed check. My work has appeared in such places as the New York Times Magazine, Newsweek, Newsweek Japan, Fortune, Inc, Fortune Small Business, the Financial Times, Advertising Age, Saveur, US News & World Report, and Continental

Wednesday, October 17, 2007

Prospect Resuscitation

You send a query or a letter of introduction to a prospect. You researched the market, tailored your approach and bio, and made sure you were sending it to the right person. Hitting the send button, you wait. And wait. And wait. Nothing happens for days, and then weeks, and then a few months.

You could write it off, but you don't have to. Don't assume that the potential client looked at what you send and thought, "Oh, give me a break! Who would ever want to hire that person?" It's far more likely that an email went into spam, that you got lost in a flood of other entries, or that the recipient took note and then forgot.

What you should do is dig out some of these old letters and queries as an experiment. Instead of writing again, telephone. Say that you had sent something and realized that you had never followed up, so you're getting in touch. At worst, the person ends up saying, "Send something again," without remembering you. At best, the contact may be far more satisfying.

I did this yesterday with an introductory email I had sent in either June or July. The editor remembered my name (maybe he was getting me confused with someone else, but that was fine because I was top of mind) and explained what they were doing. He requested me to resend the info, and I used what I learned in the conversation to further tailor it. He also explained that they give new writers a test assignment that should be easy to do - and I showed my understanding of the market by noting that it would probably be something easy for them to recover from should the writer mess up. He agreed - and I branded myself at least partly as a professional who understands the custom publishing (in this case) business.

I choose appropriate content - both multiple assignments from one custom publisher and an example from another that correctly suggested that I had done ongoing work, all of which will make me more palatable. At the end I said I'd be interested in a test assignment, because I had enough information to know this was the next step, and so I wanted a targeted call to action.

I'll be doing this with other leads that have fallen to the wayside. In fact, I emailed another editor who said that he still doesn't have budget to hire, but to check with him near the end of the year. Not all of this work will turn into assignments, but some portion will, and that's what counts.

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